
While I have had opposition over my decision to back this album, it’s all good. I’m copping it when it actually DOES drop and I tip my fitted hat to the dude for a stellar introductory album. The streets were going crazy over Hova’s return and that birthday sex song played from every car in NYC once an hour all summer long last year. The other song you may have heard was that best I ever had track off of his MIXTAPE. Yeah, his promo release got more attention than most folks careers do. If I have any sort of criticism about this record, it’s that it is only as good as the O.V.O. So Far Gone mix. It being a real “album” will officially catapult him to stardom and all that, but he was already a canadian actor before the fact. The dope thing on here is that he raps a lot more than you would think and his introspective music actually has meaning versus the “cant tell me shit” hubris that Kanye West constantly transmits. I think that Drake’s emo-ish insecurities on tape make him more of a poster boy of the generation that came post- Atmosphere (and all associated parties) than someone who is out to MAKE himself famous by any means. While he wants to quell the haters, spend loot, fuck with chicks and give props/run to his people who stuck by him like any good rapper, he still sounds humble to a fault. He still talks about his mom on every third song and you hear more about him NOT getting with the girl of his immediate dreams than the other way around. In fact, if you listen to him close enough, all of his girl selections are fairly mundane for a young timer like Drake. He seems to prefer working women and such, thus getting spurned by them due to what can only be deemed as his bachelor lifestyle.
All these contradictions don’t paint the collage of a attention concubine like Mr. West, they are more like the brain patterns of any self respecting young man in some sort of spotlight during their life. The playboy eventually turns into the character on the movie Broken Flowers, the piece that attracts slowly loses it’s luster like some of Slick Rick’s old jewelry. The trick with the 15 minutes of fame thing is that everyone’s clock is set to a different time, so you never REALLY know when it may be over. The only thing you know is that you never want the wild ride to stop rolling. What I hear more of everyday in the mainstream (and almost never in current indie-rap music that is charting because the battle is over and everyone is eating) urban market is the hunger to succeed due to literally not really knowing where your next meal ticket may come from. Dudes on labels that aren’t fun house vanity mirrors or art experiments (AKA labels that make money and sell records) don’t know WHO may acquire their label and all intellectual property from that label, and this is on a daily basis. When I hear Drake say “I want this shit forever, mang…” on whatever song, I know that he is talking about the feeling he had doing that song and the feeling that he has knowing that someone like me or NoCanDo is saying the same line right along with him. I know what money can buy you and I don’t really care too much for all of it. All of the money in the world can only buy you the experience of spending all of the money in the world. Once you figure that out, the rest is cake. I think Drake has that almost all figured out and he’s trying his damnedest to tell the people who don’t from his perspective.
Even if they aren’t listening, the rest of us are….